Amy Helm

Amy Helm


Amy Helm sought what she calls a “circular sound” for her new album. It’s a
well-rounded one, one marked by streaks of Americana, country, blues, and gospel,
and the kinds of four-part harmonies that can burst open a melody and close the
loop of an octave. And sentimentally, it’s a sound that represents the feeling of
This Too Shall Light, released ​September 21, 2018 on Yep Roc Records, comprises 10
songs produced by Grammy-winning producer and songwriter Joe Henry. Helm left
her home and comfort zone of Woodstock, NY, choosing ​to record in Los Angeles
within the confines of just a four-day window. The musicians were directed not to
overthink the songs, and Helm herself barely performed any of the selections while
leading up to the recording. As a result, the sessions forced fast musical trust among
the collaborators and yielded the vibrant instrumental improvisations heard
throughout This Too Shall Light.

Although a profound songwriter herself, Helm and Henry jointly arranged a diverse
collection of songs for the record, which range from Rod Stewart’s “Mandolin Wind”
to Allen Toussaint’s “Freedom for the Stallion” and even the Milk Carton Kids’
“Michigan.” The title track in particular, written by Hiss Golden Messenger’s MC
Taylor and Josh Kaufman (Josh Ritter, Bob Weir, Craig Finn), ​is a brilliant
summation of the record’s sound and spirit. Seemingly a play on the old adage that
“This too shall pass,” Helm’s voice veers from commanding to supplicating within a
single soulful verse, as she manipulates that message so that light leads throughout
even the darkest of times.
A lifelong musician and music-lover, Helm’s parents —The Band’s legendary
drummer and singer Levon Helm and singer/songwriter Libby Titus — guided her
training and influences. She later became a founding member of the alt-country
collective Ollabelle and served as a backing musician in her father’s Midnight
Ramble Band. And on This Too Shall Light, Helm says that two songs in particular
pay homage to Levon — “The Stones I Throw,” a song he released in 1965 with
Levon and the Hawks, and the closing traditional number, an a cappella version of
the hymnal “Gloryland,” which was passed from father to daughter.
While This Too Shall Light is only Helm’s second album under her own name, it
serves as a comprehensive portrait covering her life’s journeys and recoveries;
They’re the stories that, no matter where they take her, seem to end and begin in the
same place like a circle

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Date City Venue
Oct 11 Syracuse, NY Westcott Theater
Oct 12 Mamaronek, NY Emelin Theatre
Oct 25 Brownfield, ME Stone Mountain Arts Center
Oct 26 Plymouth, MA Spire Center for the Performing Arts
Oct 27 Shirley, MA Bull Run Restaurant
Nov 01 New Orleans, LA The Fillmore New Orleans
Nov 09 Middletown, OH Dave Finkelman Auditorium
Nov 21 Vienna, VA The Barns at Wolf trap
Nov 22 Montclair, NJ Outpost in the Burbs

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